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	<title>Music Marketing</title>
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	<link>http://musicmarketingbook.com</link>
	<description>Blog and Book Site for Music Marketing Author and Course Instructor Mike King</description>
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		<title>Interview with Don Passman</title>
		<link>http://musicmarketingbook.com/2009/11/interview-with-don-passman/</link>
		<comments>http://musicmarketingbook.com/2009/11/interview-with-don-passman/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 02:39:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Digital Music]]></category>
		<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Record Labels]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[360 deals]]></category>
		<category><![CDATA[All you need to know about the music business]]></category>
		<category><![CDATA[Donald Passman]]></category>
		<category><![CDATA[P&D]]></category>

		<guid isPermaLink="false">http://musicmarketingbook.com/?p=258</guid>
		<description><![CDATA[
Don Passman is an entertainment lawyer who has represented some musical titans, including R.E.M.,Tom Waits, Tina Turner, Quincy Jones, Green Day, Bonnie Raitt and many more. He’s also an author who has written one of the most thorough and practical guides to understanding the music industry. All You Need To Know About The Music Business [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Book from Berklee Press: Music Marketing &#8211; Press, Promotion, Distribution, Retail</title>
		<link>http://musicmarketingbook.com/2009/11/music-marketing-press-promotion-distribution-retail/</link>
		<comments>http://musicmarketingbook.com/2009/11/music-marketing-press-promotion-distribution-retail/#comments</comments>
		<pubDate>Sun, 08 Nov 2009 12:22:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://musicmarketingbook.com/?p=13</guid>
		<description><![CDATA[
My book, Music Marketing: Press, Promotion, Distribution, and Retail came out in November, 2009.  The book presents a step by step integrated approach to marketing which leverages the new music marketing opportunities available for musicians and managers and the best practices for traditional outlets that still matter.   If you are looking to [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/11/music-marketing-press-promotion-distribution-retail/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Online Course: Online Music Marketing with Topspin</title>
		<link>http://musicmarketingbook.com/2009/11/new-online-course-online-music-marketing-with-topspin/</link>
		<comments>http://musicmarketingbook.com/2009/11/new-online-course-online-music-marketing-with-topspin/#comments</comments>
		<pubDate>Tue, 03 Nov 2009 15:35:28 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Berkleemusic]]></category>
		<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Online Music]]></category>
		<category><![CDATA[direct to fan]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/?p=159</guid>
		<description><![CDATA[
I am a fan of artists and managers A) starting off by doing what they can themselves to help market and sell their own music, and B) seeking out partnerships with companies that can help them to do more than they are able to do themselves, for a fair price, and C) building up, communicating, [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/11/new-online-course-online-music-marketing-with-topspin/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Lessons from Thomas Friedman for Musicians</title>
		<link>http://musicmarketingbook.com/2009/10/lessons-from-thomas-friedman-for-musicians/</link>
		<comments>http://musicmarketingbook.com/2009/10/lessons-from-thomas-friedman-for-musicians/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 19:18:10 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Analytics]]></category>
		<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[direct to fan]]></category>
		<category><![CDATA[music business]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[Thomas Friedman]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/?p=140</guid>
		<description><![CDATA[Tom Friedman, author and foreign-affairs columnist for the New York Times, doesn’t write much about music.  But his piece “The New Untouchables”  is a column well worth reading for those looking for a way forward in the music business.   It may sound obvious, but the truth is that many of the [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Low Overhead + High Margin: An Interview with Jonathan Coulton</title>
		<link>http://musicmarketingbook.com/2009/09/low-overhead-high-margin-an-interview-with-jonathan-coulton/</link>
		<comments>http://musicmarketingbook.com/2009/09/low-overhead-high-margin-an-interview-with-jonathan-coulton/#comments</comments>
		<pubDate>Mon, 28 Sep 2009 16:40:05 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Digital Music]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Online Music]]></category>
		<category><![CDATA[direct to fan]]></category>
		<category><![CDATA[CD Baby]]></category>
		<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[Jonathan Coulton]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/09/28/low-overhead-high-margin-an-interview-with-jonathan-coulton/</guid>
		<description><![CDATA[
It’s likely that you’ve heard of Jonathan Coulton.  Profiled by NPR and the New York Times, Coulton has been a full time independent musician since he quit his computer programming gig in 2005. After initiating an ambitious project of releasing a new song a week, Coulton started to gain momentum, making what he described [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/09/low-overhead-high-margin-an-interview-with-jonathan-coulton/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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		<item>
		<title>Direct to Fan: Creating an Effective Offer Page and Fan Acquisition Techniques</title>
		<link>http://musicmarketingbook.com/2009/09/direct-to-fan-creating-an-effective-offer-page-and-fan-acquisition-techniques/</link>
		<comments>http://musicmarketingbook.com/2009/09/direct-to-fan-creating-an-effective-offer-page-and-fan-acquisition-techniques/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 19:57:23 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[direct to fan]]></category>
		<category><![CDATA[Fanfarlo]]></category>
		<category><![CDATA[Mike Masnick]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[NIN]]></category>
		<category><![CDATA[Radiohead]]></category>
		<category><![CDATA[trent reznor]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/09/11/direct-to-fan-creating-an-effective-offer-page-and-fan-acquisition-techniques/</guid>
		<description><![CDATA[
Anyone that has been following music business trends for the past few years is familiar with the high profile direct to fan campaigns (campaigns that focus on the monetization of an artist’s fan base directly) that Nine Inch Nails, Radiohead, Imogen Heap, and others have been involved with recently. As Mike Masnick put it in [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/09/direct-to-fan-creating-an-effective-offer-page-and-fan-acquisition-techniques/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Clay Shirky on Social Media</title>
		<link>http://musicmarketingbook.com/2009/08/clay-shirky-on-social-media/</link>
		<comments>http://musicmarketingbook.com/2009/08/clay-shirky-on-social-media/#comments</comments>
		<pubDate>Thu, 06 Aug 2009 20:38:48 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Clay Shirky]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/08/06/clay-shirky-on-social-media/</guid>
		<description><![CDATA[Clay Shirky is the former vice-president of the New York chapter of the Electronic Frontier Foundation, and an expert on the social and economic effects of Internet technologies.  This TED presentation on the Social Web is a much watch for anyone involved in media or marketing.
 “The choice is not if this is the [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/08/clay-shirky-on-social-media/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>2008 Music Biz Revenue up 4.7% in UK &#8211; Diversification Key</title>
		<link>http://musicmarketingbook.com/2009/07/2008-music-biz-revenue-up-47-in-uk-diversification-key/</link>
		<comments>http://musicmarketingbook.com/2009/07/2008-music-biz-revenue-up-47-in-uk-diversification-key/#comments</comments>
		<pubDate>Wed, 22 Jul 2009 13:41:31 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Industry]]></category>
		<category><![CDATA[2008 music biz revenues]]></category>
		<category><![CDATA[Billboard]]></category>
		<category><![CDATA[PRS]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[Will page]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/07/22/2008-music-biz-revenue-up-47-in-uk-diversification-key/</guid>
		<description><![CDATA[Interesting report released this week by Will Page, chief economist at PRS for Music, the UK&#8217;s performance rights organization.  The entire report can downloaded here, but the details, in a nutshell:
* The value of the recorded music biz fell 6%
* The value of the live music industry in the UK increased 13%
* Licensing revenues [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/07/2008-music-biz-revenue-up-47-in-uk-diversification-key/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Studying the Future of Music Online this Monday</title>
		<link>http://musicmarketingbook.com/2009/06/studying-the-future-of-music-online-this-monday/</link>
		<comments>http://musicmarketingbook.com/2009/06/studying-the-future-of-music-online-this-monday/#comments</comments>
		<pubDate>Thu, 25 Jun 2009 20:13:34 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Berkleemusic]]></category>
		<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Three Strikes Rule]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/06/25/studying-the-future-of-music-online-this-monday/</guid>
		<description><![CDATA[While I&#8217;m preparing the agenda for the online music business chats I&#8217;m hosting tonight (discussion items so far: the effect Apple&#8217;s variable pricing has on publisher&#8217;s income, Sarkozy&#8217;s thoughts on the three strikes rule, direct to fan marketing techniques, and more), I thought to drop a quick note here to say that our next term [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/06/studying-the-future-of-music-online-this-monday/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How an Indie Musician can make $19,000 in 10 hours using Twitter</title>
		<link>http://musicmarketingbook.com/2009/06/how-an-indie-musician-can-make-19000-in-10-hours-using-twitter/</link>
		<comments>http://musicmarketingbook.com/2009/06/how-an-indie-musician-can-make-19000-in-10-hours-using-twitter/#comments</comments>
		<pubDate>Tue, 23 Jun 2009 18:54:39 +0000</pubDate>
		<dc:creator>Mike King</dc:creator>
				<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Music Retail]]></category>
		<category><![CDATA[Amanda Palmer]]></category>
		<category><![CDATA[direct to fan]]></category>
		<category><![CDATA[Dresden Dolls]]></category>
		<category><![CDATA[DTF]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://mikeking.berkleemusicblogs.com/2009/06/23/how-an-indie-musician-can-make-19000-in-10-hours-using-twitter/</guid>
		<description><![CDATA[Great post from Amanda Palmer of the Dresdon Dolls on using online media to connecting directly with fans and make $$$. Love the creativity here&#8230;
=====
From: Amanda Palmer
Subject: twitter power, or &#8220;how an indie musician can make $19,000 in 10 hours using twitter&#8221;
this story has just been blowing people&#8217;s minds so i figures i should write [...]]]></description>
		<wfw:commentRss>http://musicmarketingbook.com/2009/06/how-an-indie-musician-can-make-19000-in-10-hours-using-twitter/feed/</wfw:commentRss>
		<slash:comments>54</slash:comments>
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